|
Cross | 
 enlarge
| Artist: Justice
Label: Downtown/Ed Banger
Category: Music
List Price: $13.98
Buy New: $8.28
You Save: $5.70 (41%)
New (43) Used (11) from $6.65
Rating:  34 reviews
Sales Rank: 1818
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 5 x 0.5
MPN: 224892
UPC: 825646298624
EAN: 0825646298624
ASIN: B000QCUB8I
Release Date: July 10, 2007
Availability: Usually ships in 1-2 business days
Shipping: International shipping available
Condition: Brand new - Factory sealed - Import edition We ship via first class mail from Florida
| |
| Tracks:
| • | Genesis | | • | Let There Be Light | | • | D.A.N.C.E. | | • | Newjack | | • | Phantom | | • | Phantom Pt II | | • | Valentine | | • | The Party | | • | Dvno | | • | Stress | | • | Waters of Nazareth | | • | One Minute to Midnight |
|
| Similar Items:
|
| Editorial Reviews:
Amazon.com
Justice is the moniker of the Paris-based production duo Gaspard Auge and Xavier de Rosnay. Their approach to crazy-quilt dance-pop hybridism is infectious, if a tad off-putting here and there. The duo rose to fame due to an MP3 single and super smart video for the excellent, kiddy-chorused house-pop number "D.A.N.C.E." in 2007, and they soon thereafter signed to the suitably named label Banger. They manage to make really silly and fun music in a way that frequently comes off in a pretentious manner. It's ridiculous to name your album after a symbol, especially if it's †. This is not meant derogatorily. Really. Justice does appear to be that rare breed of dance artist equally capable of stimulating the body and the mind, though neither Richard James nor the Basement Jaxx need fear this act. After just one listen to "Waters of Nazareth," it's very difficult to avoid wondering "how the hell did they mix and match noise and pop so beautifully" while also dancing furiously. --Mike McGonigal
Amazon.com
Rarely does a European DJ/dance album hit the U.S. with as full a head of steam as this one, but after the twin jabs of the singles "Never Be Alone" and "Waters of Nazareth," French duo Justice was poised and ready to follow with Cross. As a strong contender for the dance album of 2007, this 12-track debut shows Xavier de Rosnay and Gaspard Auge flexing more musical elasticity than the "dance" or "house" tags can possibly convey on their own, never mind the "French Touch" movement with which the pair is loosely and rather reductively associated. Having remixed tracks from artists as dissimilar as Britney Spears and Franz Ferdinand, the pair seems to have been building its chops for exactly this kind of resolutely defiant masterwork. From the relentless, gritty electro-bounce of opener "Genesis" and the stuttering, four-on-the-floor propulsion of "Let There Be Light," to the children's chorus of "D.A.N.C.E." and the rock-indebted "DVNO," Cross starts with a palette of house and disco beats and then throws the kitchen sink at it. The resulting amalgam boasts a tectonic range of reference without ever sacrificing de Rosnay and Auge's slavish devotion to the fine art of the party album. --Jason Kirk
Album Description
Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2".
Album Description
Justice's monster beats, massive hooks, thunderous drums, and near-religious determination to demolish dance floors cast them in a light no contemporary can catch. The group's US debut single, "Waters Of Nazareth" arrived in 2006 and solidified their sound: huge slabs of beats, brutal strings, and cathartic release. That record sets the stage for this, their debut full-length, boasting the already ubiquitous disco pop anthem "D.A.N.C.E.", which features the best English children's choir since "Another Brick In The Wall Pt. 2".
Album Details
You Know Justice, AKA Xavier De Rosnay and Gaspard Auge. French Duo, Remixed Simian to Create the Titanic 'we Are Your Friends', the Anthem-that-will-not-die, That's Wrecked Dancefloors from Backstage Glasto to Trash to Euro-resorts Groovy Parisians who have the Balls to Name their Single, Or Dare We Say, their Hit "d.a.n.c.e." And in Caps Would You Believe. But You Can When You're Called Justice and in all but Three Years have Revolutionized Dancefloors all Over the World
|
| Customer Reviews: Read 29 more reviews...
 sounds better on vinyl June 25, 2008
NiQ (N America)
Got introduced to justice when i got introduced to the song Street Justice by MSTRKRFT. At first, i listened to their cd at hmv but i thought it sounded childish & amateurish. I forgot about it until I listened to boys noize.
I thought BN was a more professional in production & sound. After seeing BN in concert w/ mstrkrft where mstrkrft was very girly-man
house sounding, BN just powered through the crowd where 90% couldn't dance to bec they onlyknow girly-man house music. I had a blast. I think boys noize is phenomenal & it brought me to liking justice style of music.
justice, esp on their remixes, like to use distortion guitar/funk-based bass playing. Interestingly, when I listen to Chemical Bros' s songs, "in dust we trust" & "dig your own hole", i feel that I can hear justice. In addition, Chem bros' "these beats are made for breakin" & Daft Punk's "harder, faster breaker beat remix" are being recycled by Justice, boys noize, sebastiAn,surkin. It's interesting that Chem bros has lost its way & Justice is continuing their pioneering sound from their first 2 albums.
Prodigy's always outnumbered but never outgunned album is also being recycled by buzz-synth DJs which was ahead of its time.
When I first heard Justice cd, stress was my favorite track. I didn't like "dance" at all & i think mstrkrft's version is the best. Boys Noize remix of phantom totally rocks as well.
I got the album on vinyl & i think it sounds more "alive" than on CD. Songs like NewJack, let there be light, Stress & waters of nazareth totally rocks. I esp like the guy exhaling on "waters of nazareth".
When I saw their live clips, I see them trying to recreate 80s metal stage sets.
It's a copy of Basillios - but then again... it rules. April 28, 2008
Jacques Xanadu (Paris, France)
0 out of 2 found this review helpful
Cet album gouverne. C'est dommage la division de Basillios d'eux juste avant le relachement de cet album. Bien que Basillios > l'album est solide... il n'a pas juste le meme succes commercial comme la Justice. Il semble comme il sera le Dave Mustaine de musique electronique.
Bon Album.
 The BEST! April 8, 2008
A. Emre Uenal (Istanbul, TURKEY)
0 out of 1 found this review helpful
This was one of the best electronic music albums I have ever listened, I just loved every single track in it. Definitely worth the money!
It's all about fun April 3, 2008
Steward Willons
9 out of 9 found this review helpful
Every now and then somebody releases an album that isn't incredibly serious or groundbreaking, but is, above all, just plain fun. "Cross" definitely falls into that category. It's basically a party on a disc.
It's refreshingly light in approach. Justice obviously doesn't take themselves too seriously as one can tell by tracks like "D.A.N.C.E." - but that doesn't mean they lack substance. Although one can never be sure, it doesn't seem like the work of a one-hit wonder. For one thing, there are a number of strong tracks on the album and, most importantly, they have an original take on the electro-glam sound that is so popular these days.
A lot of reviews compare this to Daft Punk, but I think those comparisons have more to do with the fact that these groups are both French duos working in the same general BPM area. Maybe there are more similarities than that, but Justice isn't not nearly as repetitive as Daft Punk tends to be and their songs are more gritty and dirty. Above all, I have to resist this temptation to pre-judge them based on my feelings about Daft Punk. I hope listeners will hear them as their own group - not mere copycats. Actually, I think they're more like Basement Jaxx than anything else - but that's beside the point.
I've particularly enjoyed the way they can blend harsh noise and dissonance with such catchy melodies and pop hooks. "Let There Be Light" is brutal, but compelling. By all calculation, it should be grating on your ears, but instead you just want to dance. While the rhythm is tight, there's this wonderful feeling of looseness as if the instrumental parts weren't entirely quantized on a grid. The lack of rigidity seems to be one of the key factors in the very danceable nature of this disc.
As a side note, I couldn't finish this review without a nod to my favorite Italian prog rock band, Goblin whose soundtrack to Dario Argento's "Tenebre" makes an appearance on "Phantom." Well, more than an appearance - it's basically the whole song. I realize that Goblin isn't as popular as they once were, but I hope some Justice fans will check out their music because they were using synthesizers waaay back in the days of Kraftwerk.
Overall, this is an inspired debut from a promising new band. Although it may not entirely live up to some of the raves here, it's strong and good for repeat listenings. If you're a fan of electro or anything like Basement Jaxx, I would highly recommend this CD. It's fun and easily accessible right from the start, but it has enough depth to make you keep listening again and again.
an amazing cd, oh ya! March 11, 2008
Hank Urban (Golden Valley, MN United States)
0 out of 1 found this review helpful
this has not left position # 1 in my car changer ... esp # 6,8, and 9 amazing way better than Daft Punk and hey, thats a stretch for me to say after ALL of the years I loved them till Robot Rock, ugh!
Justice, amazing!
|
|
|
|
 | |
