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Musik der Reformation: Ein feste Burg ist unser Gott | 
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| Creators: Antoine De Fevin, Josquin Desprez, Martin Luther, Thomas Muntzer, Caspar Othmayr, Johann (i) Walter, Hans Gruss, Ulrich Shicha, Capella Fidicinia Leipzig, Dresden Kreuzchor, Dresdner Kreuzchor Label: Berlin Classics Category: Music
List Price: $29.98 Buy New: $20.35 You Save: $9.63 (32%)
New (14) Used (2) from $20.35
Rating: 1 reviews Sales Rank: 222413
Media: Audio CD Discs: 2 Shipping Weight (lbs): 0.4 Dimensions (in): 5.4 x 5 x 0.9
UPC: 782124911928 EAN: 0782124911928 ASIN: B0000035ST
Release Date: April 23, 1996 Availability: Usually ships in 1-2 business days Shipping: International shipping available Condition: BRAND NEW Factory Sealed - Ready to be shipped within 24 hrs from California - Average 5 workdays delivery time - Excellent customer service - Buy with confidence!
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| Tracks:
Disc 1
| • | Komm, Heiliger Geist, Herre Gott, SW 1:I - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Alleluia. O Heiliger Geist - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Nu Bitten Wir Den Heiligen Geist, SW 1:XXXIII/XXXIV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Da Pacem Domine/Verleih Uns Frieden Gnadiglich, SW 1:LVIII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Fuga Secundi Toni SW 4:XIII - Capella Fidicinia/Hans Gruss | | • | Beati Immaculati (Psalm 119)/Vivat Ioannes Friderich/Vive Luthere/Vive Melanthon, SW 5:I - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | 'Deutsch Kirchen-Amt': Das Te Deum Laudamus - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Ein Feste Burg Ist Unser Gott, SW 1:XXI/XXII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Sancta Trinitas - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | 'Deutsch Kirchen-Amt': Kumm Zu Uns Schopfer, Heil'ger Geist - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Non Moriar Sed Vivam - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Das Patrem Deutsch: Wir Glauben All An Einen Gott, SW 1:LIV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | Fuga Primi Toni In Unisono, SW 4:I - Capella Fidicinia/Hans Gruss | | • | 'Das Christlich Kinderlied...': Allein Auf Gottes Wort Will Ich Mein Grund Und Glauben Bauen - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... |
Disc 2
| • | 'Deutsch Kirchen-Amt': O Herr, Erloser Alles Volks - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Nu Komm Der Heiden Heiland, SW 1:XXXVII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | 'Deutsch Kirchen-Amt': Es Wart Gesant Gabriel - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Christum Wir Sollen Loben Schon, SW 1:XXXVIII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | 'Deutsch Kirchen-Amt': Lasst Uns Von Herzen Singen All - Members Of The Dresden Kreuzchor/Martin Flamig | | • | Vom Himmel Hoch Da Komm Ich Her - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | Fuga Septimi Toni, SW 4:XX - Capella Fidicinia/Hans Gruss | | • | Gelobet Seist Du, Jesu Christ, SW 1:XIII/XIV - Members Of The Dresden Kreuzchor/Martin Flamig | | • | 'Deutsch Kirchen-Amt': Herodes, O Du Bosewicht - Members Of The Dresden Kreuzchor/Martin Flamig | | • | Joseph, Lieber Joseph Mein, SW 1:LI - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Jesus Christus, Unser Heiland, SW 1:XXXIX - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | 'Deutsch Kirchen-Amt': Es Seint Finsternus Worden - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Haec Dicit Dominus - Circumdederunt Me - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Christ Ist Erstanden - Ein Lobgesang Vom Osterfest, SW 1:LV - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | 'Deutsch Kirchen-Amt': Des Konigs Panir - Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | Komm, Gott Schopfer, Heiliger Geist, SW 1:II - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss... | | • | Das Deutsche Sanctus: Jesaia, Dem Propheten, Das Geschah, SW 1:LII - Members Of The Dresden Kreuzchor/Martin Flamig/Vocal Soloists Of The Capella Fidicinia/Hans Gruss | | • | In Gottes Namen Fahren Wir, SW 1:LXVI - Members Of The Dresden Kreuzchor/Martin Flamig |
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| Customer Reviews:
A musical tour de force, and a time machine April 3, 2000 Andrew G. Lang (Cleveland, OH USA) 22 out of 22 found this review helpful
"Music of the Reformation" is not only a tour de force by two of the great ensembles of eastern Germany (the famous choir of men and boys at Dresden's Lutheran Church of the Holy Cross, and the Capella Fidicinia of Leipzig which performs on original and reconstructed Renaissance instruments), it's also a journey through music into one of the great conflicts of the Reformation: the struggle between Martin Luther and the radical priest, Thomas Muentzer.The liturgical poetry of both Reformers is juxtaposed in this two-CD collection. Muentzer took the Bible's vision of social equality literally and became a leading figure in the famous "Peasants' Revolt" that was eventually crushed by the combined forces of Germany's Protestant and Roman Catholic princes. Luther, who remained loyal to his patrons in high places, savagely denounced the rebels in a tract titled "The Murdering, Thieving Hoards of Peasants." Muentzer occupied a special place in Luther's gallery of theological horrors. When the Peasants' Revolt foundered, both Muentzer and his writings were obliterated; but some of his music survived. Surprisingly, Muentzer's musical style is the more conservative of the two. He translated the traditional texts of the Latin Mass and Divine Office into contemporary German but then set the new words to traditional Gregorian melodies and psalm tones. Luther, who was more sophisticated musically, turned his texts over to the most advanced composers of the day. Muentzer's monodic chants and the rich polyphonic treatments of Luther's liturgical poetry are communicated brilliantly in performances that are technically nearly perfect. Fans of Gregorian chant should compare these down-to-earth German interpretations of the traditional forms with the more fluid style inspired by Solesmes. But emotion is not absent from these recordings: particularly in the compositions by Luther's friend, Johann Walther, the choir and instrumentalists bring the listener to the intensity of religious ecstasy the composer (and the Reformer) intended. These may be some of the finest religious compositions of early Renaissasnce polyphany. The collection is issued by "Berlin Classics"--which has created a new market based on the archives of "VEB Deutsche Schallplatten"--the former state-owned recording company of the now-defunct German Democratic Republic. These recordings were first-rate technically and have been digitally remastered for the new technology.
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